Ida Full Movie
. Polish. French. Latin Budget $2.6 million Box office $15.3 million Ida ( pronounced ) is a 2013 film directed by and written by Pawlikowski. Set in Poland in 1962, it is about a young woman on the verge of taking vows as a Catholic nun. Orphaned as an infant during the, she must now meet her aunt. The former Communist state prosecutor and only surviving relative tells her that her parents were Jewish.
The two women embark on a road trip into the Polish countryside to learn the fate of their family. Called a 'compact masterpiece' and an 'eerily beautiful road movie', the film has also been said to 'contain a cosmos of guilt, violence and pain', even if certain historical events (, the and ) remain unsaid: 'none of this is stated, but all of it is built, so to speak, into the atmosphere: the country feels dead, the population sparse'. Ida won the 2015 for, becoming the first Polish film to do so. It had earlier been selected as of 2014 by the and as of 2014 by the (BAFTA). In 2016, the film was named as the 55th best film of the 21st century, from a poll of 177 film critics from around the world.
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Contents. Plot In the 1960s, Anna, a young novice nun, is told by her prioress that before she takes her vows she must visit her aunt, Wanda Gruz, who is her only surviving relative.
Anna travels to visit her aunt Wanda, a chain-smoking, hard-drinking, sexually promiscuous judge who reveals that Anna's actual name is Ida Lebenstein. Ida's parents had been who were murdered late in the during (1939–45). Ida was then an infant, and as an orphan she had been raised by the convent. Wanda, who had been a against the German occupation, had become the state prosecutor 'Red Wanda' who sent 'men to their deaths'.
Wanda tells Ida that she should try some worldly sins and pleasures before she decides to take her vows. On their way to their hotel for the night, Wanda picks up a hitchhiker, Lis (Polish for 'fox'), who turns out to be an player who is going to a gig in the same town. Wanda tries to get Ida interested in Lis, and to come to his show, but she resists until drifting down after hours to watch the little band wrapping up their evening with a song after the crowd has left. Lis is indeed drawn to Ida and talks with her before she leaves for the night to rejoin her aunt who is passed out in their room. Ida wants to find the graves of her parents. Wanda asks her what would happen if she goes to where their bodies are buried and discovers that God is not there. Wanda takes her to the house they were born in and used to own, which is now occupied by a Pole, Feliks Skiba and his family.
Wanda had left her young son with Ida's family (Wanda's sister and brother-in-law) during the war; the Skibas had taken over the home and land, and hidden the Lebensteins from the German authorities. Wanda, a former prosecutor, demands that Feliks and his father tell her what happened to the Lebensteins. Finally, Feliks agrees to tell them—if Ida promises that they will leave the Skibas alone and give up any claim to the house. Feliks takes the women to the burial place in the woods and digs up the bones of their family. He admits to Ida that he took the three into the woods and killed them. Feliks says that because Ida was very small and able to pass for a Christian, he was able to give her to a convent. But Wanda's small son was 'dark and circumcised'.
He couldn't pass for a Christian child, and Feliks had killed him along with Ida's parents. Wanda and Ida take the bones to their family burial plot, in an abandoned, overgrown Jewish cemetery in, and bury them. Wanda and Ida then part ways and return to their previous existences and routines, but they both have been profoundly affected by their experience, and nothing is the same. Although Wanda continues to drink and engage in apparently meaningless casual sex, she is also now mourning not only the loss of her son and sister, but the niece whom she has just met and who reminds her deeply of her sister. Ida returns to the convent but is visibly unenthusiastic about her life there, and even sees some of it with a new perspective of humor. Wanda's melancholy deepens and she ultimately jumps to her death out of her apartment window. Ida returns to attend Wanda's funeral, where she sees Lis again.
At Wanda's apartment, Ida changes out of her nun's habit and into Wanda's and evening gown, tries smoking and drinking, and then goes to Lis' gig, where he later teaches her to dance. After the show Ida and Lis sleep together. The next morning Lis suggests they get married, have children, and after that, live 'life as usual.' After sleeping with him one more time, Ida quietly arises without awakening Lis, dons her convent habit again and leaves. Cast.
as Anna / Ida Lebenstein. as Wanda Gruz.
as Lis. Adam Szyszkowski as Feliks Skiba. as Szymon Skiba.
as a singer Production. Main article: Ida was screened in the Special Presentation section at the where it won the Special Presentations award.
Among other festivals Ida won Best Film at,. The film is also widely recognized for 's and 's performances, and for the cinematography by Ryszard Lenczewski. The film was honoured by the national as the of 2013, winning in three other categories, and nominated in seven additional categories. The nominated the film in seven categories, winning 5, including and, at the.
The named Ida as Best European Film at the. At the the film won the Award for. At the it won the award for, and was also nominated for. The film has received a nomination from at the for Best Foreign Language Film, and from at the for category.
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It has been also recognised by the , the , the French Academy of Arts and Technics of Cinema , the. The film has been selected by the for the. Home media Ida has been released to DVD in both region 1 and region 2 with English subtitles. It has also been released with subtitles in several other languages.
In December 2014 the film was awarded the by the European Parliament; this prize supports subtitling of films into all of the 23 official languages of the European Union. See also. (2009) (an earlier Polish film portraying Communist Poland in the 1950s and 1960s). (2012) (a Polish thriller about reckoning with the destruction of a community of Polish Jews during World War II). Graham Fuller remarked, 'Filmed in long shot, Anna and Wanda are dwarfed by the godless landscape, which inevitably evokes some of the woods and fields in 's and 's Aftermath.' References.